How can I design a loudspeaker setup in an exhibition space where the speakers enter into a dialogue with each other, and within which the visitor chooses his/her own route through the sound universe?
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How can I design a loudspeaker setup in an exhibition space where the speakers enter into a dialogue with each other, and within which the visitor chooses his/her own route through the sound universe?
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the ‘virtual’ speaker, the Omniwave, explained by the inventor, Leo de Klerk (photo Cilia Erens)
Public Pilot ‘Time Lapse China’
November 1-4 in STEIM + during the Museum Night of STEIM and De Appel Arts Centre.
BLOG 2
I had to learn to walk again.
I had this feeling, when at the end of June I started work with the audiofiles which are going to form the basis of Time Lapse China. As if I were jumping, stepping from one discipline into another.
After some 30 years of pioneering the concept of the soundwalk for a headphone wearing audience I want to take a next step in my development as a sound artist. This is my first blog about a for me brand new research in the next couple of months.
→Every year since 2003 first-year students at the Dutch Film Academy listen to the Mr. Visser Square next door, as part of my lecture ‘Audible Space’. For ten minutes they sit there, blindfolded, in their folding chairs.
→2-2-2016 BLOG: LISTENING TO CHINA 1986 and 2015 Listening live to China’s globalization, to its fastest and most extensive urban development ever with an interval of 29 years was an overwhelming experience. Right now I have available 2 sound files of…
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