For the scientific publication ‘The Routledge Companion to Sounding Art’ edited by Marcel Cobussen, Vincent Meelberg and Barry Truax wrote musicologist Hannah Bosma the article: ‘Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and Other Sounding Arts’.
About my form of soundwalk she writes:
“…. her aim is to seperate ear and eye, and thus superimpose different realities, ‘matching realities’ and creating ‘augmented reality’…”